the art forger
I heard about The Art Forger through Quail Ridge Books, the independent bookstore in Raleigh, N.C., where I used to live. I still get the store’s weekly emails, which have great book recommendations from the owner and its staff, as well as from other independent booksellers. I go back and spend too much money whenever I’m in Raleigh (which is sadly not too much these days, since my aunt and uncle moved away).
The book was published by Algonquin, a local company whose books Quail Ridge often highlights. The review caught my eye because the story, while fictional, is based around the Gardner heist.
In 1990, two men dressed as police officers bound and gagged security guards at the Isabella Stewart Gardner Museum in Boston and made off with 13 works of art that are now worth more than $500 million. More than 20 years later, none has been recovered, and the investigation had pretty much hit a dead end. In the last six months, however, the FBI has announced that it knows the thieves’ identities and has renewed its publicity about the case in an attempt to get leads on the artwork.
I visited the Gardner during my first trip to Boston with my mom more than 10 years ago, and I was absolutely captivated by it. The eponymous owner was an art collector in the late 19th and early 20th century, and she built the museum, meant to emulate a 15th-century Venetian palace, in order to house her collection. Her will stipulated that the art was to remain as she had arranged it (which was not at all as a professional curator would today); after the theft, the rule was interpreted to stand, so empty frames hang in their places as a constant reminder of the crime.
The poignancy of the loss, combined with the eccentricity of the space and its founder, made me a little obsessed with the museum, and after my visit I read three or four books about the heist. Naturally I had to read this one, too.
It took me less than 24 hours (of course, it was Shabbat, so I didn’t have my usual phone/computer/Netflix distractions): It’s quite the page-turner — if a little hard-boiled and at times downright cheesy.
Because of a mistake in her past involving a former lover and fellow artist, Claire Roth is persona non grata in the Boston art world when she is approached by a local gallery owner to forge a painting — a Degas, and one of the masterpieces stolen from the Gardner Museum. Eager for her reputation’s rehabilitation, Claire reluctantly agrees in exchange for her own show at the gallery and the promise that the original painting will be returned to the museum where it belongs (the forgery will be sold as the original to an unscrupulous collector). In the process, though, she begins to suspect that the original Degas may itself be a forgery . . . and so the fun begins.
Part of the fun for me was that the story takes place in Boston, so I actually knew where most of the (fictionalized) action takes place. Plus, Claire volunteers teaching art at a juvenile facility — so my favorite topic of criminal justice policy gets a little shout-out — but this is less character development than plot device.
But even non-Bostonians and those who aren’t fascinated by the heist or by crime/criminal justice will likely enjoy this quick read. Check it out from your local public library!
the test
I walk to an office building in downtown D.C. early on a weekend morning. I take the elevator to the second floor and enter a room where lots of other people are sitting on chairs, waiting. I show my ID to check in; the man at the desk scrutinizes both me and and the picture on my driver’s license, literally squinting and looking between both several times.
Then he hands me a confidentiality agreement I’m meant to sign — but not before I write, in cursive, the three-sentence statement at the bottom of the page. I haven’t written in script since third grade, so I anticipate that this may be the most challenging part of my day. I began the laborious task of writing with loops and linking letters together; I can’t even get the sentences to fit in the space prescribed, and I am barely halfway through when he asks if I’m ready to move to the next step.
When I finally finish what cannot seem like an adult’s rendering of the statement, I’m directed first to put all of my belongings into a locker and then to proceed to the next room with only my ID and the key to the locker. I sit down in front of another man, who again checks my ID — and then asks me to stand up so he can wand me. He directs me to lift up my shirt so that he can see my waistline, then to pull out all of my pockets — why did I choose to wear cargo pants today? — so that he can verify that they are empty. He warns me not to make any unusual movements once I’m in the next room, and not to take off my sweatshirt. I begin to worry about whether it’s going to be hot in the next room.
He hands me back my ID, points to the line on the paper to sign in, and hands me approved pencil and paper. I enter the next room and am led to my seat by yet another staff member. I leave the room three times and return twice during my four-and-a-half hours inside, and each time I go through the same process of ID check, signing in and out, wanding, and pocket inspection. I’m also reminded that accessing my cell phone during these breaks will lead to my being kicked out of the facility. Finally, while I’m sitting in my cubicle, the innermost room staff periodically walks by to adjust the angle of the camera that is trained on various parts of the room.
And this is how you take the Graduate Record Examination (GRE) in the U.S. today.
Obviously I am terribly naive, because this shocks me. It beggars my belief that anyone would cheat on an admissions test, even as I question its value as a predictor of success in graduate school. But apparently all of this rigamarole is the logical response to past scam attempts, so I have to concede that it’s necessary.
You may be asking, “What relevance do analyses of your writing, verbal reasoning, and high-school math abilities have to do with rabbinical schools, especially since applications to those institutions are compromised principally of multiple essays?” And the answer clearly is, “Very little if at all.” Two of the schools I’m applying to require the GRE, but one does not; the fellowship I’d like to get only requires it if the school does. I don’t know what accounts for the difference between otherwise fairly similar schools.
I prepared for the exam in the simplest and cheapest way possible: I worked my way through the official GRE book published by the Education Testing Service. I’m guessing that the decision to admit or not admit me to rabbinical school will not hinge on my GRE scores; it seems most likely to me that it’s some kind of idiot check, which is still odd because it’s not like these schools haven’t already met everyone who is applying. I’ve certainly talked at length with the admissions directors of all three schools.
But I am a neurotic student, and I hate taking tests that I can’t fully prepare for. I found myself disagreeing with the “correct” answers of more than one “verbal reasoning” question and was annoyed that I won’t be given the chance to argue my point.
The math drove me even crazier. I actually like math, and in high school, I was pretty good at it: I got a 5 on the AB Calculus exam. In college, I considered double majoring in math and Classics. So I was frustrated by my complete inability to figure out how to proceed on many “quantitative reasoning” problems. The book takes what in my mind is a puzzling attitude to this. First, I was never able to discern a pattern for the questions — but the book’s explanations were always of the sort, “Of course, it’s clear that you should do x approach (and obvious from first glance that y approach is not going to work).” And there was no big-picture guidance whatsoever about how to recognize which approach — solving the equation, plugging in numbers, estimating, etc. — would be best. Maybe there are students who just get math — in the way I just get verbal reasoning — for whom this is not a problem. Ultimately, all I was able to do was to tell myself that it simply wasn’t worth the time it would take to get really good at the math section. Math, I’m guessing, is not going to be a large part of my rabbinate.